Wörterbuchnetz
Lexicon musicum Latinum medii aevi Bibliographische AngabenLogo badw
 
bis gammaticus (Bd. 2, Sp. 115 bis 132)
Abschnitt zurück Abschnitt vor
Artikelverweis G, g, , GG I. Markierungspunkt in Mensuren II. Tonbuchstabe III. Ausführungshinweis (littera significativa, ‚Romanusbuchstabe‘) IV. Kennbuchstabe für die vierte Psalmtondifferenz einer jeden Kirchentonart V. Schlüsselbuchstabe VI. Kennbuchstabe für die siebente Kirchentonart VII. Kennbuchstabe für einen Gesang, der die französische Form der Mensurierung und Mensuralnotation verwendet I. letter that designates a specific point in measurements II. letter that designates a note III. direction for performance (littera significativa‚ ‘Romanian letter’) IV. letter that identifies the fourth difference (differentia) in each mode V. clef sign VI. letter that identifies the seventh mode VII. letter that designates a chant that uses the French form of mensuration and mensural notation
I Markierungspunkt in Mensuren letter that designates a specific point in measurements /Bd. 2, Sp. 116/
1 im System: AˢB C DˢE F G HˢI K LˢM N O (für die mese) - in the system: AˢB C DˢE F G HˢI K LˢM N O (for the mese)
[s.VI]
Boeth. mus. 4, 14 p. 338, 6: G mese (cf. Iac. Leod. spec. 6, 2, 5. al.). Boeth. mus. 4, 14 p. 341, 9. al.
[s.IX-XII]
Gloss. Boeth. mus. 4, 14, 27. al.
[s.XIV]
Iac. Leod. spec. 4, 16, 9.
2 im System: A B CˢD E F GˢH I KˢL M N OˢP (Z) in the system: A B CˢD E F GˢH I KˢL M N OˢP (Z)
[s.VI]
Boeth. mus. 4, 17 p. 347, 20 descr. (inde Hier. Mor. 20 p. 155, 14 sqq. Comm. Boeth. II p. 308, 2. Guill. Pod. 4, 2. Guill. Pod. 5, 7).
[s.IX]
Scol. ench. 3, descr. 5. al. Hucbald. 27: per tonum, tonum et semitonium, rursus tres tonos continuos et semitonium usque ad octo voces scandatur, et ab ipsa rursus octava incipiendo ordo superior per eosdem similiter metiatur gradus, ad hunc modum: A t B t C s D t E t F t G s H t I t K s L t M t N t O s P.
[s.XIV]
Iac. Leod. spec. 6, 14, 1-2. al. cf. Browne, System
3 im System:A BˢC D E FˢG H I KˢL M N OˢP Q R S in the system: A BˢC D E FˢG H I KˢL M N OˢP Q R S Mon. Prima corda I 35: Primae IIIIor cordae dicuntur graves A B C D. Item IIIIor dicuntur finales E F G H. Aliae IIIIor dicuntur superiores I K L M, et IIIIor aliae excellentes N O P Q, et <super> has sunt duae positae R S. Primae igitur IIIIor notantur per hos caracteres   (ed.: )  . al. Mon. Prima corda II 6. al.
4 im System: A BˢC D EˢF G Hˢ/(Z,SM)ˢIˢK L MˢN O P (für die lichanos meson) in the system: A BˢC D EˢF G Hˢ/(Z,SM)ˢIˢK L MˢN O P (for the lichanos meson)
[s.XI]
Ps.-Berno mon. 12, 2 descr.: G lichanos meson, index mediorum. al. Quaest. mus. 1, 24 p. 67. Mon. Designata p. 70, 7. al. Mon. Divide mon. p. 3, 9. Mon. Mon. compos. I p. 68, 32. al. Mon. Partire totum p. 50, 41 descr. al. Mon. Prius dividenda 14. Mon. Si vis metiri I p. 9, 47. Mon. Totam tabulam p. 11, 10. al. (cf. Cymb. Omne instr. 3, 2. al.)
5 im System A - LL (GG für die paranete hyperboleon enarmonios) in the system A - LL (GG for the paranete hyperboleon enarmonios) (cf. Boeth. mus. 4, 11 p. 334 descr.)
[s.XIV]
Iac. Leod. spec. 5, 30, 24: iungendum est GG ipsi paranete hyperboleon enharmonio. Iac. Leod. spec. 5, 37 descr. al.
6 im System: AˢB C DˢE F Gˢh (= trite synemmenon) ˢH (= paramese) ˢK L MˢN X O (für die mese) in the system: AˢB C DˢE F Gˢh (= trite synemmenon) ˢH (= paramese) ˢK L MˢN X O (for the mese)
[s.XIV]
Iac. Leod. spec. 6, 2, 5 sqq. (cf. Boeth. mus. 4, 14 p. 338, 6). Iac. Leod. spec. 6, 3, 18 descr. al.
7 im System: A B CˢD E FˢSˢG (A H) in the system: A B CˢD E FˢSˢG (A H) Mon. In superiori p. 204, 2-3. Mon. Organalis p. 45. (cf. Fist. Quicumque cupit 8 p. 114. Cymb. Dimidium 18, 1. Cymb. G habeat 20. (?) Cymb. Quicumque vult 19, 3. al. Cymb. Si velis 8, 9. al. Cymb. Si volueris 1, 4. al. Cymb. Sonitum 2, 9.) cf. LmL II, 3 col. 117, 10.
8 im System: A ˢC D EˢF G (primi - sexti ordinis) (für ein in Mikrointervallen versetztes Tonsystem) in the system: A ˢC D EˢF G (primi - sexti ordinis) (for a tonal system transposed according to microtones) Mon. Iste p. 237, 14. al. cf. Meyer Chr., Mensura p. LXVII
II Tonbuchstabe letter that designates a note
1 im System: AˢG F E DˢC B A GˢF E D CˢB A (aufsteigend) in the system: AˢG F E DˢC B A GˢF E D CˢB A (ascending)
[s.IX]
Mus. ench. 10 descr. 4. Mus. ench. 11 descr. 1-2. /Bd. 2, Sp. 117/
2 im System: A BˢC D EˢF G H (ˢQ = trite synemmenon) I (= paramese) ˢK L MˢN O P (für die lichanos meson) in the system: A BˢC D EˢF G H (ˢQ = trite synemmenon) I (= paramese) ˢK L MˢN O P (for the lichanos meson)
[s.IX]
Scol. ench. 2 descr. 1 app. crit.
[s.XI]
Odor. Sen. p. 152: ⋅G⋅ Lichanos meson, id est tercia mediarum. Odor. Sen. p. 213 descr. sqq.
[s.XV]
Adam Fuld. 2, 9 descr. Mon. Mensurus p. 66, 6. cf. LmL I, 4 col. 116, 28. cf. Browne, System
3 im System: F (g) (= B rotundum)ˢGˢA B CˢD E FˢG (H) (= trite synemmenon)ˢG (= paramese)ˢA B CˢD E F (für hypate hypaton, trite synemmenon und paramese) in the system: F (g) (= B rotundum)ˢGˢA B CˢD E FˢG (H) (= trite synemmenon)ˢG (= paramese)ˢA B CˢD E F (for hypate hypaton, trite synemmenon and paramese)
[s.IX-X]
Hucbald. 47 descr. (traditio posterior). Mon. A dextra parte p. 59, 8. Mon. Divide in p. 61, 4. Mon. Divide in quatuor p. 54, 5. Mon. In primis 14: ⋅G⋅, id est paramese. Mon. In primis 17: ⋅G⋅ trite sinemenon. Mon. In primis 26: ⋅G⋅ ypate ypaton. al. Mon. In primo 6. al. (inde Anon. Bernh. 2, 13-21) Mon. Mon. a magada 7. Mon. Per tres p. 59, 4-5. Mon. Primum dividas I p. 60, 13. al. Mon. Primum divide p. 24, 15. al. Mon. Si mon. I p. 28, 27. al. Mon. Si mon. Boetii p. 33, 13. Mon. Si regularis 9: ⋅G⋅, quod semitonio distat ab ⋅A⋅. al. Mon. Studiosis p. 22, 15. al. Mon. Totum mon. 7-8. Fist. Prima per 7 p. 83. Fist. Rogatus 48 p. 71. Fist. Si numeri p. 78 descr. al.
[s.XI]
Frut. brev. 4 p. 43: septem dumtaxat sunt vocum distantiae, videlicet proslambanomenos, hypate hypaton, parhypate hypaton, lichanos hypaton, hypate meson, parhypate meson, lichanos meson, quae notantur literis his: ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅ vel secundum quorumdam annotationem ⋅F⋅G⋅A⋅B⋅C⋅D⋅E⋅.
[s.XII]
Theinr. Dov. tab. 3-2. al.
[s.XIV]
Iac. Leod. spec. 6, 9, 4 descr. al.
[s.XV]
Georg. Ans. descr. B (p. 128).
4 im System: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf g  (    ) in the system: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf g  (    )
a generell general
[s.X-XI]
Ps.-Odo mus. p. 273a: Propterea eaedem litterae, quae sunt a prima in septimam, eaedem fiunt a septima in ultimam, et ipsae litterae, quae fiunt ab octava in undecimam, sequuntur post ultimam, ut sint tres ordines similium litterarum. Primus enim versus maioribus notatur litteris ... Secundus vero versus minoribus litteris et alia figura formatis ... describitur. Tertius vero versus, quia superfluus creditur, Graecarum potius litterarum forma notatur habens voces quinque ... Primus versus: ⋅Γ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅. Secundus versus: ⋅G⋅a⋅b⋅⋅c⋅d⋅e⋅f⋅g⋅. Tertius versus: ⋅g⋅⋅⋅⋅⋅Λ⋅ (formae litterarum secundum cod. Firenze BN Conv. Soppr. F.III.565). Ps.-Odo dial. p. 253b: Figurae autem et voces et litterae per ordinem ita ponuntur: ⋅Γ⋅ I ⋅A⋅ II ⋅B⋅ III ⋅C⋅ IIII ⋅D⋅ V ⋅E⋅ VI ⋅F⋅ VII ⋅G⋅ VIII ⋅a⋅ IX I ⋅b⋅ IX II ⋅⋅ X ⋅c⋅ XI ⋅d⋅ XII ⋅e⋅ XIII ⋅f⋅ XIIII ⋅g⋅ XV ⋅⋅. al. Berno prol. 6, 16 app. crit.: [continens inter ⋅G⋅ et ⋅g⋅ septimam diapason speciem]. al. Guido prol. 70 descr. (sim. Guido reg. 141, ex. 2). Guido micr. 2, 11. al. Guido reg. 12, ex. 1. Guido ep. p. 478, 172. al. Hermann. mus. p. 34 (p. 133) descr. al. Willeh. Hirs. 3 (c. 2), 13. al. Aribo 34 p. 4. al. Comm. Guid. 39 p. 111. al. Lib. argum. 49 p. 23. al. Lib. spec. 70 p. 38. al. Ton. Aug. p. 104a. Org. Mediol. rhythm. 82. al. Ps.-Guido form. 5, 2. al. Ps.-Guido arithm. p. 56b. al. Frut. brev. 7 p. 55 descr. al. Frut. ton. p. 113. al.
[s.XI-XII]
Ps.-Osbern. 41: Omnes voces in musica sunt viginti et una. Ex eisdem vocibus sunt quattuordecim regulares et naturales, septem additae et formales. Hae sunt naturales: ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅a⋅⋅c⋅d⋅e⋅f⋅g⋅. al. Anon. Wolf p. 212. Quaest. mus. 1, 19 p. 45. al. Theog. Mett. /Bd. 2, Sp. 118/ 3, 4 (p. 184a). al. Ioh. Cott. mus. 9, 14 descr. al. Ioh. Cott. ton. 27, 16. al. Udalsc. 31. al. Guido Aug. 45. al. Ton. Gratianop. p. 23. al. Ton. Cist. 22. al. Anon. Cist. I 37 p. 27. al. Anon. La Fage I 3, 11. al. Theinr. Dov. tab. 3-2. al. Anon. Pannain p. 112. al. Ton. Baumg. 1, 1. Ton. Nivern. f. 141v p. 120. al. Ton. Seligenst. p. 113. Ton. Vatic. 12, 2 p. 191. al.
[s.XIII]
Anon. Lovan. p. 497b. al. Mus. man. 10, 3: Moderni vero Latinorum peregrinis caracteribus propter simplices erasis domesticis potius eas (sc. voces musicae) litteris tradiderunt, eisdem videlicet, quas singulis hebdomadae diebus in kalendario deputaverunt: scilicet ⋅a⋅b⋅c⋅d⋅e⋅f⋅g⋅. al. Metrol. 35 p. 71. Ton. Franc. p. 149b. Ioh. Aegid. 15, 25. al. Amerus 2, 8. al. Elias Sal. 1 p. 18a. al. Anon. Couss. VII 12, 4. al. Lambertus p. 254a. al. Trad. Lamb. 2, 3, 5: Omne ut in ⋅C⋅ cantatur per naturam ...; omne ut in ⋅F⋅ cantatur per b molle etc.; omne ut in ⋅G⋅ cantatur per  quadratum etc. (sim. Trad. Garl. plan. I 141. Trad. Garl. plan. IV 71. Bonav. Brix. 10, 4. Anon. Couss. I p. 435a). al. Hier. Mor. 14 p. 60, 9. al. Trad. Garl. plan. I 133. al. Anon. Ratisb. 2, 13. al. Petr. Cruc. 1, 17. August. min. 163. al. Anon. Couss. IV p. 71, 11. al. Ps.-Mur. summa 710. al. Engelb. Adm. 1, 9, 12. al. Walt. Odingt. 5, 10, 30. al.
[s.XIV]
March. luc. 11, 4, 117. al. Iac. Leod. comp. 2, 5, 12. al. Iac. Leod. spec. 5, 16, 2-8. Iac. Leod. spec. 6, 61, 7. al. Hugo Spechtsh. 31. al. Quat. princ. 2, 4. al. Summ. Guid. 64 (inde Gob. Pers. p. 189b. Szydlov. 11 p. 45). al. Ioh. Boen ars 2, 19, 6. al. Ioh. Boen mus. 1, 13. al. Willelm. 2, 10. al. Goscalc. 1, 1 p. 34, 2. al. Heinr. Eger 2 p. 36. al. Ioh. Vetul. 1, 20. Comm. Boeth. II p. 314, 10. al. Anon. Ellsworth 4 p. 214, 6. al. Cart. plan. 12. Anon. Seay p. 23. al. Anon. Monac. II 47. al.
[s.XV]
Ioh. Olom. 3 p. 8. al. Ioh. Cicon. mus. 1, 17 p. 78, 11. al. Iac. Twing. p. 112, 9: Tercius tonus tres habet claves seu litteras iniciales, scilicet ⋅e⋅, ⋅g⋅ et ⋅c⋅. al. Gob. Pers. p. 183b. al. Anon. Claudifor. 1, 3, 3. al. Ugol. Urb. 1, 7, 6. al. Tact. Octo princ. 76. al. Tact. Opusculum 146. al. Tact. Prima est 7. al. Tact. Concordanciarum p. 167, 21. al. Georg. Ans. 3, 8. al. Arn. Zwoll. p. 26 descr. al. Tact. Reperi 76. al. Anon. Carthus. theor. 16, 12: Habet ergo nunc ipsum monocordum, manus seu scala musicalis nostris temporibus 20 gradus musicales sub hiis litteris et figuris, sic: ⋅Γ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅a⋅b⋅♯⋅c⋅d⋅e⋅f⋅g⋅aa⋅bb⋅♯♯⋅cc⋅dd⋅. al. Trad. Holl. I p. 170. al. Mut. Christo 30. al. Ioh. Legr. rit. 1, 1, 3, 38. al. Tact. Bona 40. al. Tact. Sequitur p. 56. Conr. Zab. tract. K 1. al. Clavic. Ad faciendam p. 229, 15. Clavic. Primo p. 148, 6. al. Ioh. Tinct. diff. 130: ⋅G⋅ est clavis utriusque ⋅G⋅solreut (sim. Ioh. Tinct. exp. 3, 52). al. Fr. Gafur. extr. 4, 1, 4-5. al. Ioh. Tinct. exp. 3, 4. al. Fr. Gafur. op. 5, 6. Bart. Ram. 1, 1, 3 p. 9. al. Nicol. Burt. 1, 19, 99. al. Guil. mon. 5 p. 30. al. Bonav. Brix. 7, 2. al. Adam Fuld. 2, 4. al. Lad. Zalk. A 29. al. Fr. Gafur. theor. 5, 6. Guill. Pod. ench. 21 p. 383: Unde quemadmodum apud antiquos per ⋅a⋅b⋅c⋅d⋅e⋅f⋅g⋅ dinumerabantur, ita et nunc per ⋅g⋅a⋅b⋅c⋅d⋅e⋅f⋅ et littere vel signa Gregorii apellantur (sim. Guill. Pod. 5, 7). al. Guill. Pod. 5, 12. al. Anon. Couss. I p. 434 descr. al. Szydlov. 2 p. 12. al. Mon. A gamma p. 138, 2. Mon. Cum primum 3. Mon. Divide gamma p. 141, 1. al. Mon. Esto linea p. 144, 2-3. Mon. Fac lineam p. 183, 2. al. Mon. Figure p. 174, 3. al. Mon. Gamma novem p. 109. Mon. In mon. mensura p. 134, 17. al. Mon. In primis ad levam p. 172, 9. al. Mon. Mon. disparat. 3. al. Mon. Mon. regulare p. 179, 28. Mon. Partire gamma p. 140, 1. al. Mon. Primo accipe p. 220, 1. Mon. Qui desideras p. 91. Mon. Quia dictum p. 244, 5. Mon. Si quem p. 245, 5. Mon. Si vis facere p. 173, 9. Fist. Cuprum pur. 33 p. 58. /Bd. 2, Sp. 119/
b auf die Stellung im System bezogen with reference to the position within the system
[s.X-XI]
Ps.-Odo mus. p. 269a: a quarta ⋅D⋅ ipsa in septimam ⋅G⋅. ibid.: ab undecima ⋅d⋅ in quartam decimam ⋅g⋅. al. Ps.-Odo dial. p. 255a. al. Guido ep. p. 482, 189. Hermann. mus. p. 28 (p. 130b): ⋅G⋅ numero septima. Ps.-Guido form. ton. 8, 19. Frut. brev. 13 p. 98: Septima (sc. chorda) lychanos meson, id est index vel digitalis mediarum, appellatur et per ⋅G⋅ literam denotatur. ibid. al.
[s.XIII]
Amerus 15, 2: ⋅g⋅ octava. Elias Sal. 7 p. 23b: ⋅G⋅ septima littera est de palma. Trad. Garl. plan. V 253. al. Engelb. Adm. 4, 26, 14: ⋅G⋅ septima (sc. concordat) cum ⋅D⋅ quarta.
[s.XIV]
Iac. Leod. spec. 2, 63, 8. al. Anon. Michaelb. I p. 47: septima ⋅G⋅, ... decima quinta ⋅g⋅.
[s.XV]
Georg. Ans. 2, 123. al. Fr. Gafur. extr. 3, 8, 2: septima ⋅g⋅ lycanosmeson. ibid. al. Ioh. Tinct. exp. 3, 10. al. Fr. Gafur. op. 5, 6. Bonav. Brix. 15, 122. al. Fr. Gafur. theor. 5, 6. al. Guill. Pod. 2, 12. al.
c auf das griechische System bezogen (für lichanos meson und paranete hyperboleon) with reference to the Greek system (for the lichanos meson and the paranete hyperboleon)
[s.IX-X]
Hucbald. 40: ⋅G⋅ paranete yperboleon (additio posterior). Hucbald. 41: ⋅g⋅ mese (additio posterior ex errore).
[s.XI]
Berno prol. 5, 16 app. crit.: [⋅G⋅ ... lychanos meson]. al. Willeh. Hirs. 8 (c. 7), 26. al. Aribo 3-6 p. 11 (inde Quaest. mus. 1, 6 p. 16). Ton. Aug. p. 84. al. Frut. brev. 5 p. 46: de ⋅g⋅ ad ⋅G⋅, id est a paranete hyperbolaeon ad lichanon meson. al. Anon. Wolf p. 197. al. Ioh. Cott. mus. 13, 20. al.
[s.XII]
Udalsc. 1.
[s.XIV]
March. luc. 15, 1, 8. al. Iac. Leod. spec. 5, 25, 2. al. Heinr. Eger 2 p. 38. Anon. Ellsworth 3 p. 198 sqq. (cf. Boeth. mus. 1, 20). al.
[s.XV]
Ioh. Cicon. mus. 1, 21 p. 98 descr. al. Gob. Pers. p. 183a. Ugol. Urb. 1, 6, 5. al. Thom. Bad. p. 92: ⋅d⋅e⋅f⋅g⋅, que sunt lychanos ypaton, idest ⋅d⋅solre, ... lychanos meson, idest ⋅g⋅solreut. Anon. Carthus. theor. 14, 87: ⋅g⋅ paratrithe (pro paranete) yperboleon. al. Ioh. Legr. rit. 1, 3, 3, 8-10. Fr. Gafur. extr. 3, 8, 2. al. Fr. Gafur. op. 5, 8. Adam Fuld. 2, 9 descr. Fr. Gafur. theor. 5, 8. Guill. Pod. 2, 12. al.
d auf das Oktavsystem bezogen with reference to the octave system: G⋅ subgravis, ⋅G⋅ primum (=Γ) - ⋅G⋅ gravis (-e), ⋅G⋅ inferior (-ius), ⋅G⋅ bassum, ⋅G⋅ acuta (-um), ⋅G⋅ prima (-um), ⋅G⋅ secundum - ⋅g⋅ acuta (-um), ⋅g⋅ superior (-ius), ⋅g⋅ altum, ⋅g⋅ media, ⋅g⋅ superacuta (-um), ⋅g⋅ secundum, ⋅g⋅tertium, ⋅g⋅ultimum
[s.XI]
Guido micr. 2, 4: septem alphabeti litterae graves ... ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅. Post has eaedem septem litterae acutae repetuntur, ... ita: ⋅a⋅b⋅⋅c⋅d⋅e⋅f⋅g⋅ (inde Metrol. 26-27 p. 69). Ton. Aug. p. 130b. al. Anon. Lips. p. 157: ad ⋅g⋅ acutum. Frut. brev. 12 p. 97: ad ⋅g⋅ superiorem. ibid.: ubi ponas ⋅G⋅ inferiorem. al. Quaest. mus. 1, 10 p. 21. Theog. Mett. 11, 5 (p. 187a): inter ⋅G⋅ grave et ⋅a⋅ acutum. al.
[s.XII]
Trad. Guid. 1: Graves ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅. Acutae ⋅a⋅b⋅♮⋅c⋅d⋅e⋅f⋅g⋅. Guido Aug. 34. al. Anon. La Fage I 1, 2-3. al. Disc. Omnis homo I 3 p. 241: usque ad primam ⋅G⋅.
[s.XIII]
Mus. man. 28a, 3. al. Metrol. 32 p. 71. al. Ioh. Garl. mens. 9, 15 (sim. Anon. Emmeram. 4 p. 266, 11-12). al. Ton. Franc. p. 119b. al. Amerus 8, 13. al. Lambertus p. 261a. al. Trad. Lamb. 2, 2a, 2. al. Anon. Emmeram. 4 p. 262, 19. al. Hier. Mor. 13 p. 56, 5: a ⋅Γ⋅ gravium in ⋅G⋅ acutarum, a ⋅G⋅ acutarum in ⋅g⋅ superacutarum. al. Trad. Garl. plan. I 143 descr. August. min. 72. al. Ton. Sar. p. 10. al. Anon. Couss. IV p. 71, 10. Interv. Sit -O 2. al. Vers. Postquam pro 244. al. Ioh. Groch. 229. al. Ps.-Mur. summa 1508. al. Engelb. Adm. 4, 23, 6: ⋅D⋅ respondens ad ⋅G⋅ inferius per dyatesseron et ad ⋅G⋅ superius per dyapente. al. Walt. Odingt. /Bd. 2, Sp. 120/ 5, 8, 4. al.
[s.XIV]
March. luc. 9, 1, 98. al. Guido Dion. 1, 3, 8. al. Iac. Leod. comp. 2, 4, 17. al. Iac. Leod. spec. 5, 18, 7. al. Hugo Spechtsh. comm. p. 73: inter ⋅F⋅ et ⋅G⋅ superacutas. al. Petr. Palm. p. 515. al. Quat. princ. 3, 4. al. Ioh. Boen mus. 1, 110: ⋅g⋅ tertium super ⋅g⋅ primum. al. Willelm. 2, 8. Goscalc. 1, 1 p. 40, 4: incipit in ⋅G⋅solreut alto. Goscalc. 1, 1 p. 44, 18: nisi cantus finiat in ⋅G⋅ basso. al. Trad. Pipudi p. 46-47. Anon. Monac. II 28. al.
[s.XV]
Ioh. Olom. 6 p. 18. al. Ioh. Cicon. mus. 1, 19 p. 82, 17. al. Prosd. mon. 3, 9: secundum ⋅G⋅. Prosd. mon. 3, 15: a primo ⋅G⋅, scilicet ⋅Γ⋅. Prosd. mon. 6, 4: tercium ⋅G⋅. al. Prosd. spec. p. 732. al. Anon. Claudifor. 5, 3, 10. al. Ugol. Urb. 1, 10, 2: a ⋅Γ⋅ ad ⋅G⋅ primum. ibid.: ab ⋅A⋅ secundo ad ⋅G⋅ secundum acuta. Ugol. Urb. 1, 12, 14: a ⋅G⋅ ultimo. al. Georg. Ans. 3, 67. al. Anon. Philad. 9 descr. al. Thom. Bad. p. 85: comma inter ⋅f⋅ grave et ⋅g⋅ grave. Anon. Carthus. theor. 14, 45. al. Trad. Holl. I p. 170. al. Trad. Holl. II 49 p. 8 (p. 418b). al. Ioh. Legr. rit. 2, 1, 2, 2. al. Ioh. Tinct. diff. 135. al. Fr. Gafur. extr. 4, 4, 7. al. Ioh. Tinct. nat. 2, 5. al. Ioh. Tinct. contr. 1, 5, 2. al. Ioh. Tinct. exp. 3, 20 descr. al. Fr. Gafur. op. 5, 8. Nicol. Burt. 1, 16, 94: mediae ⋅a⋅b⋅c⋅d⋅e⋅f⋅g⋅. Nicol. Burt. 2, 3, 23: in superacutis ⋅f⋅g⋅. al. Guil. mon. 5 p. 30. al. Bonav. Brix. 8, 6. al. Lad. Zalk. A 54 descr. al. Fr. Gafur. theor. 5, 8. Guill. Pod. 4, 5. al. Fr. Gafur. pract. 1, 7. al. Compend. mus. 41: prima deductio habet principium in ⋅G⋅ subgravi et finem in ⋅E⋅ gravi. Compend. mus. 59: ⋅G⋅ acutum et secundum. ibid.:g⋅ superacutum et tertium. al. Szydlov. 2 p. 13. al. Clavic. B-C. Mon. Ab F p. 182, 3. al. Mon. Divide primo p. 224, 2. al. Mon. Dividitur p. 178, 8. Mon. Fac lineam p. 183, 5. al. Mon. Figure p. 174, 3-4. Mon. Longitudinem p. 150, 14. Mon. Mon. tuum 4. al. Mon. Primo accipe p. 220, 4. al. Mon. Quatuor p. 146, 8. al. Mon. Si mon. II p. 28, 27. Organistr. A prima 2. Fist. Ad fistulas 14 p. 132. al. Fist. Formata prima 3 p. 135. al.
e auf die Funktion im Tonartensystem bezogen with reference to function within the system of modes: ⋅G⋅ finalis, mediatrix ⋅G⋅
[s.XI]
Guido micr. 11, 25: finales voces statuerunt ⋅D⋅E⋅F⋅G⋅ (ad loc.: Comm. Guid. 81 p. 138). Aribo 34 p. 4 descr.: ⋅D⋅E⋅F⋅G⋅ finales communes et plagalium cingula et autentorum claves. ibid. al. Comm. Guid. 78 p. 123. Lib. spec. 32 p. 50. Ps.-Osbern. 68: Mediatrices plagalium: ⋅D⋅E⋅F⋅G. al. Quaest. mus. 2, 26 p. 97 descr. al. Theog. Mett. 33, interp. 1b (p. 193a): habet inicialem cantus sui litteram ⋅G⋅. al. Ioh. Cott. mus. 11, 10 (inde Conr. Zab. tract. AV 1).
[s.XII]
Guido Aug. 474: ⋅d⋅e⋅f⋅g⋅ principales ac maxime finales vocantur. al. Anon. La Fage I 7, 31. Anon. Pannain p. 110.
[s.XIII]
Mus. man. 41, 19 descr. Mus. man. 41, 38: octavam iuxta mediatricem ⋅G⋅. al. Ioh. Aegid. 12, 19. Amerus 22, 22. al. Petr. Cruc. 1, 12. Ton. Lips. p. 98: primus tonus in officiis duas habet differentias et septem litteras inceptivas: ⋅C⋅D⋅E⋅F⋅G⋅a⋅c⋅. al. Engelb. Adm. 4, 20, 4. al. Walt. Odingt. 5, 8, 9 descr.
[s.XIV]
Iac. Leod. spec. 6, 41, 6. Hugo Spechtsh. comm. p. 140. al. Quat. princ. 3, 25. al. Heinr. Eger 5 p. 55.
[s.XV]
Anon. Claudifor. 4, 8, 1. al. Georg. Ans. 3, 61. Trad. March. 356. Anon. Carthus. nat. 2, 19. al. Trad. Holl. II 57 p. 9 (p. 419a): ⋅D⋅E⋅F⋅G⋅ dicuntur finales, quia omnis cantus regulariter compositus et non transpositus in eis terminatur. al. Trad. Holl. VI 25, 8. al. Conr. Zab. tract. BF 11. Guil. mon. 5 p. 30. Lad. Zalk. B 60. al. Szydlov. 2 p. 14. al.
f auf das Tetrachordsystem bezogen with reference to the tetrachord system: ⋅G⋅ finalis, ⋅g⋅ acuta, ⋅g⋅ superacuta (-um), ⋅g⋅ excellens /Bd. 2, Sp. 121/
[s.XI]
Hermann. mus. p. 27 (p. 129b). Hermann. mus. p. 31 (p. 132a): ⋅Gg⋅ ex quarta finali et ex quarta excellenti. al. Willeh. Hirs. 10 (c. 9), 13: a quarta finalium ⋅G⋅. al. Aribo 2 p. 25. al. Frut. brev. 7 p. 53. Ps.-Osbern. 43. al. Anon. Wolf p. 218. al. Quaest. mus. 2, 26 p. 97 descr.: a ⋅D⋅ gravi ad ⋅g⋅ excellentem.
[s.XII]
Anon. Pannain p. 409.
[s.XIII]
Amerus 23, 6. Hier. Mor. 13 p. 56, 31: ⋅D⋅E⋅F⋅G⋅ ... communes finales appellantur ... ⋅e⋅f⋅g⋅⋅ ... vocantur superacutae. al. Anon. Ratisb. 8, 4, 4. al. Engelb. Adm. 4, 23, 2: dyapason est inter ⋅G⋅ quartam finalium et ⋅G⋅ quartam excellencium. al.
[s.XIV]
Iac. Leod. spec. 6, 26, 2. al. Quat. princ. 3, 23. al. Summ. Guid. comm. 2, 50. al.
[s.XV]
Iac. Theat. 1. Gob. Pers. p. 189a. al. Ioh. Floess 57 descr. Ioh. Floess 184: ⋅gg⋅ geminata superacuta (cf. Cahn, Floess p. 25). al. Anon. Claudifor. 1, 5, 9: ultima ordinatio incipiens in ⋅gg⋅ superacuto (sim. Mut. Christo 70). al. Anon. Philad. 9 descr. Trad. Holl. II 57 p. 9 (p. 419a): primae quattuor claves, scilicet G Grecum ⋅Γ⋅<⋅A⋅B⋅C⋅> (ms.; ed.: ⋅G⋅ grave cum ⋅Γ⋅), dicuntur graves ... Sequentes vero quattuor, scilicet ⋅D⋅E⋅F⋅G⋅, dicuntur finales, ... sequuntur quattuor, scilicet ⋅a⋅b⋅c⋅d⋅, quae dici possunt afinales, ... quattuor claves ..., scilicet ⋅e⋅f⋅g⋅aa⋅, dicuntur acutae, ... ultimae quattuor, scilicet ⋅b⋅c⋅d⋅e⋅, dicuntur excelentes. al. Man. Guid. p. 149 (p. 466) descr.: Finales: ⋅D⋅E⋅F⋅G⋅ ... superacutae: ⋅e⋅f⋅g⋅aa⋅. Trad. Holl. III 7 p. 54: Excursus septimi toni est a ⋅G⋅ finali usque ad ⋅g⋅ minutum. al. Mut. Christo 43. al. Conr. Zab. tract. GG 5-7. Conr. Zab. tract. p. 240-241 descr.: graves: ⋅Γ⋅A⋅B⋅C⋅; finales: ⋅D⋅E⋅F⋅G⋅; acutae (hic incipiunt organistae geminare litteras): ⋅a⋅b⋅⋅c⋅d⋅; superacutae: ⋅⋅⋅⋅⋅; excellentes: ⋅⋅⋅<⋅⋅⋅>⋅e⋅. Adam Fuld. 2, 4 descr. Lad. Zalk. A 54 descr. al. Mich. Keinsp. 3, 29 descr. al. Szydlov. 2 p. 14. al. Mon. A gamma p. 138, 2.
g auf das Solmisationssystem bezogen with reference to the system of solmisation: ⋅G⋅solreut - ⋅g⋅solreut
[s.XI-XII]
Ps.-Osbern. 55 (additio posterior?). al. Trad. Guid. 1 descr. (additio posterior?). Mut. Γma ut 8. Anon. La Fage I 7, 10 (mss. Firenze, Bibl. naz. II I 406 et Parma 1158; om. ms. Venezia CLVIII 85 (3579)).
[s.XIII]
Org. Vatic. p. 185. Anon. Lovan. p. 493b. al. Disc. Quicumque II 1, 6. al. Metrol. 31 p. 70. al. Ioh. Aegid. 5, 2. al. Amerus 5, 28: ⋅G⋅solreut habet tres notas et sex mutaciones. al. Elias Sal. 7 p. 22 descr. Lambertus p. 256b (inde Trad. Lamb. 2, 4, 8. Trad. Garl. plan. I 157. Trad. Garl. plan. II 70. Trad. Garl. plan. III 149. Trad. Garl. plan. IV 83. Compil. Ticin. A 40). Hier. Mor. 10 p. 47, 11. al. Trad. Garl. plan. I 143 descr. Anon. Ratisb. 6, 8. Ton. Sar. p. 3. al. Ioh. Groch. 90. al. Ps.-Mur. summa 732: in gremio ipsius minimi (sc. digiti) situm est ⋅G⋅solreut. al. Engelb. Adm. 1, 9, 18. al.
[s.XIV]
March. luc. 8, 2, 12. al. Guido Dion. 1, 2, 25. al. Iac. Leod. spec. 2, 11, 16: ⋅G⋅ gravis, id est ... ⋅G⋅solreut. al. Hugo Spechtsh. 36. al. Petr. Palm. p. 515. al. Quat. princ. 3, 9. Summ. Guid. comm. 1, 51. Ioh. Boen ars 2, 23, 5. al. Ioh. Boen mus. 1, 22. al. Goscalc. 1, 1 p. 34, 11. al. Heinr. Eger 2 p. 36. al. Anon. Ellsworth 3 p. 210 descr. al. Mut. Ad noticiam 99. al. Anon. Seay p. 22. al. Anon. Monac. II 3. al.
[s.XV]
Ioh. Olom. 2 p. 7: ⋅G⋅solreut in secunda iunctura eiusdem (sc. auricularis) in spatio. al. Iac. Twing. p. 96, 3. al. Gob. Pers. p. 183a. al. Anon. Claudifor. 1, 1, 5. al. Ugol. Urb. 1, 8, 2. Tact. Octo princ. 6. al. Arn. Zwoll. p. 12. Thom. Bad. p. 92. Anon. Carthus. pract. 5, 13. al. Trad. Holl. I p. 165. al. Trad. Holl. II 71 p. 11 (p. 419b). al. Trad. Holl. III 1 p. 17. al. Mut. Christo 36. al. Ioh. Legr. rit. 2, 3, 6, 8: ⋅G⋅ vel sol vel ut dixerimus. al. Conr. Zab. tract. QQ 6. al. Clavic. Fac diclavium 12. al. Ioh. Tinct. diff. 134: ⋅G⋅solreut est locus, cuius clavis est ⋅g⋅, et /Bd. 2, Sp. 122/ in quo tres voces, scilicet sol, re, ut, canuntur. ...G⋅solreut grave est spacium, cuius clavis est ⋅g⋅, et in quo tres voces, scilicet sol, re et ut, canuntur. ...G⋅solreut acutum est linea, cuius clavis est ⋅g⋅, et in qua tres voces, scilicet sol, re et ut, canuntur. al. Fr. Gafur. extr. 4, 2, 2. al. Compos. Natura 6, 4 (sim. Compos. Cum igitur 3, 15). al. Ioh. Tinct. nat. 2, 5. al. Ioh. Tinct. contr. 1, 5, 2. al. Ioh. Tinct. exp. 3, 52: ⋅G⋅ est clavis utriusque ⋅G⋅solreut. al. Fr. Gafur. op. 5, 6. al. Bart. Ram. 1, 1, 4 p. 12. al. Ioh. Hoth. exc. p. 26. al. Guil. mon. 9 p. 56. al. Bonav. Brix. 7, 4. al. Adam Fuld. 2, 5. al. Lad. Zalk. A 28. al. Fr. Gafur. theor. 5, 6. al. Guill. Pod. 5, 13. al. Fr. Gafur. pract. 1, 4. al. Szydlov. 2 p. 15. al. Clavic. A1-C. Mon. A primo p. 215, 3. Mon. Ab F p. 182, 2. al. Mon. Dividitur p. 178, 7. al. Mon. Fac lineam p. 183, 4. al. Mon. Longitudinem p. 150, 13. al. Mon. Medietas p. 143, 2. al. Organistr. A prima 2. Fist. Incipit mensura 6 p. 137. al. Fist. Si quis 2 p. 140. al.
h auf die Schreibweise bezogen with reference to the case of letters or their repetition: ⋅G⋅ Graecum, ⋅G⋅ Latinum - ⋅G⋅ magnum (maius), ⋅G⋅ grossum, ⋅G⋅ capitale - ⋅g⋅ parvum (-a, minus), ⋅g⋅ minutum (-a), ⋅g⋅ simplex, ⋅g⋅ planum - ⋅ ⋅ duplicatum (duplex), ⋅ ⋅ geminatum (-a)
[s.XI]
Hermann. mus. p. 30 (p. 131b). Lib. argum. 35 p. 22: ⋅G⋅ vero Graecum, quod inprimis ponitur, a modernis est adiunctum, hoc est gamma. Ioh. Cott. mus. 5, 10: differt ... ⋅A⋅ capitale ab ⋅a⋅ minuto, sic ... ⋅G⋅ ab ⋅g⋅. al.
[s.XIII]
Mus. man. 11, 4: Propterea vero ⋅Γ⋅ gamma ponitur magis quam alpha vel betha vel quaelibet alia, quatinus ⋅G⋅ Latino, quod loco ponitur octavo, congrue respond<eret>. al. Amerus 18, 11. al. Lambertus p. 254b: ⋅Γ⋅ Grecum a ⋅G⋅ Latinum diapason introducat (sim. Trad. Lamb. 2, 2a, 7). ibid. al. Trad. Lamb. 2, 2a, 7. Trad. Garl. plan. I 106: ⋅Γ⋅o⋅, cuius medietas sit magnum ⋅G⋅o⋅ et ipsius medietas sit parvum ⋅g⋅o⋅. al. Anon. Ratisb. 2, 2: litterae, quae capitales scribi debent: ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅. Consequenter vero ponuntur eaedem litterae, scilicet ⋅a⋅b⋅c⋅d⋅e⋅f⋅g⋅, quae minutae vocantur. al. Interv. Sit -O 2: ⋅F⋅G⋅ magna sive gravia ... ⋅f⋅g⋅ parva vel acuta. al.
[s.XIV]
Iac. Leod. spec. 6, 61, 9: distinguitur ... ⋅Γ⋅ Graecum a ⋅G⋅ capitali. al. Hugo Spechtsh. comm. p. 32: incipit in ⋅G⋅ capitali et habet finem in ⋅E⋅ minuta. ibid.: in ⋅G⋅ minuta. Hugo Spechtsh. comm. p. 65: ⋅G⋅ grossum. ibid.:G⋅ parvum. al. Quat. princ. 3, 1: De septem literis Latinis et de ⋅G⋅ Greco, que sunt signa vocum sive claves. Ioh. Boen ars 2, 23, 4: signetur (sc. primum punctum)g⋅ simplici ... ad ⋅g⋅ secundum, puta ⋅g⋅solreut, pervenero; ibidem usurus ⋅gg⋅ duplici. Heinr. Eger 2 p. 36. Anon. Monac. II 48: Primum ⋅G⋅ vocatur ⋅g⋅ Graecum sive gamma.
[s.XV]
Prosd. mon. 3, 2. Gob. Pers. p. 182a: ⋅G⋅ capitale tibi finem vult ponere primi, / ⋅g⋅que sequens erit planum. al. Ioh. Floess 37: in ⋅gg⋅ duplicato superacuto. Ioh. Floess 184: ⋅gg⋅ geminata superacuta (cf. Cahn, Floess p. 25). al. Anon. Claudifor. 1, 1, 5 descr. al. Anon. Claudifor. 2, 14, 11: ⋅gg⋅ geminato. Anon. Carthus. pract. 14, 58: habet ... ⋅g⋅ parvam simplicem. al. Trad. Holl. I p. 168: ⋅G⋅ grave Latinum, ... ⋅g⋅ minutum acutum. al. Man. Guid. p. 150 (p. 467). al. Trad. Holl. III 9 p. 76. al. Conr. Zab. tract. EE 4: ⋅g⋅ idcirco Graece positum est, ut differret a nostro ⋅g⋅. Lad. Zalk. A 54 descr. Erasm. Hor. p. 91a: In omni tabulatura instrumentali ponuntur litterae simplices secundum schalam solmisationis Latinorum, ut ⋅Γ⋅G⋅ vel ⋅G⋅ cum punctis ante. Dehinc ⋅A⋅ grossum vel ⋅a⋅ parvum cum puncto ante. Dehinc simplices ⋅c⋅d⋅e⋅f⋅g⋅b⋅a⋅ et dehinc ⋅c⋅ cum titello ⋅defgab⋅ (ed.: d e h g b) usque ad ⋅cc⋅. Dehinc ⋅dd⋅ et ⋅ee⋅. Erasm. Hor. p. 91b descr. (cf. Kroyer, Heritius p. 119 sq.). Szydlov. 8 p. 38. al. Mon. In mon. mensura p. 134, 21: intra ⋅g⋅ maius et minus. al. /Bd. 2, Sp. 123/
i im Skalenausschnitt (H) C -  (c - ) (auch chromatisch erweitert) in Mensuren (vor allem von Tasteninstrumenten und Glocken) within the segment of scale (H) C -  (c - ) (sometimes chromatically further subdivided) in measurements (especially of keyboard instruments and bells)
[s.XI-XII]
Quaest. mus. 1, 26 p. 69.
[s.XIV]
Ars org. p. 100. al.
[s.XV]
Iac. Theat. 17 (sim. Cymb. Si vis 7, 5). Clavic. A-D. Mon. A labro p. 209, 4. al. Mon. A magada p. 208, 3. Mon. A primo p. 215, 3. Mon. Fiat corpus p. 221, 10. al. Mon. Magdarum p. 207, 6. al. Mon. Metire p. 214. Mon. Mon. tuum 4. al. Mon. Neumarum p. 219, 5. al. Mon. Primo accipe p. 220, 4. al. Mon. Quatuor p. 146, 8. al. Organistr. A C p. 205, 6. Organistr. A magada p. 209, 6. al. Organistr. A magda in p. 205, 5. Organistr. In primis 2-3. Organistr. Omnes p. 207, 7. Organistr. Organicam p. 208, 4-6. Organistr. Pone p. 216, 5. Organistr. Si org. p. 213, 10. al. Organistr. Volens p. 206, 8-16. Fist. Ad fistulas 6 p. 132. al. Fist. In mensuris 1 p. 132. al. Fist. Incipit mensura 40 p. 139. Cymb. Arbitror 5, 7. Cymb. De repond. 6, 2. al. Cymb. Pone primam 10. Cymb. Si vis 7, 5.
j mit chromatischen Systemerweiterungen with additional chromatic divisions
[s.XII]
Theinr. Dov. 3, 10b, 8. al.
[s.XIII]
Interv. Sit -O 2: crux inter ⋅F⋅G⋅ magna vel gravia. al. Ps.-Mur. summa 1429.
[s.XIV]
Hugo Spechtsh. comm. p. 78. al. Goscalc. 1, 4 p. 58, 6: Quarta coniuncta accipitur inter ⋅F⋅ et ⋅G⋅ graves et signatur in ⋅F⋅ signo ♯, ubi dicetur mi, vel in ⋅G⋅ signo b, ubi dicetur fa. al. Cart. plan. 8. al.
[s.XV]
Ugol. Urb. mon. 9, 10. al. Tact. Octo princ. 17: ⋅g⋅solreut♯. al. Tact. Concordanciarum p. 169, 5: ⋅e⋅lami habet terciam depressam, scilicet ⋅gesolreut, ele<vatam> vero semitonium supra ⋅g⋅solreut. Thom. Bad. p. 85: fleutam, idest comma inter ⋅f⋅ grave et ⋅g⋅ grave. Ioh. Keck 3 p. 324a: inter ⋅G⋅ fictum et ⋅G⋅ usitatum gravia potes accipere fleutam, ... quae cum ⋅E⋅ gravi facit tonum, qui repraesentari potest ⋅E⋅ gravi et ⋅♮⋅ quadro in loco ipsius ⋅F⋅ gravis posito. Trad. Holl. I p. 173. Trad. Holl. II 15 p. 31 (p. 427a): Tercia coniuncta accipitur inter ⋅F⋅ et ⋅G⋅ finales ... et signatur in ⋅F⋅ gravi per ⋅b⋅ quadratum, sic quod ibi cantetur mi (sim. Trad. Holl. VI 33, 14. Lad. Zalk. A 75. Szydlov. 8 p. 36). al. Trad. Holl. VI 33, 18. al. Tab. Catan. p. 144: ⋅G⋅ per b agregata quantitate apothomes ... <⋅G⋅> per  acuta quantitate apothomes. al. Bart. Ram. 1, 2, 5 p. 39: si in ⋅f⋅ ponatur ♮ vel , elevatur et fit (sc. semitonium) ab ⋅f⋅ in ⋅g⋅. Lad. Zalk. A 76. al. Erasm. Hor. p. 91b descr. (cf. Kroyer, Heritius p. 119 sq.). Szydlov. 8 p. 38. al. Clavic. C. Mon. Ab F p. 182, 18: pone ... semitonium inter ⋅f⋅faut et ⋅ge⋅solreut. al. Mon. Fac lineam p. 183, 13. al. Mon. Fiat corpus p. 222, 35. al. Mon. Longitudinem p. 150, 26. al. Mon. Mon. tuum 11: habebis vocem mediam interceptam inter primum ⋅F⋅ et primum ⋅G⋅. Mon. Primo accipe p. 220, 23: falsa, que cadit super ⋅g⋅ gravem. Fist. Formata prima 9 p. 136. al. Fist. Incipit mensura 50 p. 139: falsetum ... inter ⋅F⋅faut et ⋅G⋅solreut. cf. LmL I, 8 col. 116, 57
k mit der Merksilbe ‚vo‘ in der Reihe ‚psal-li-tur per vo-ces is-tas‘ designated with the syllable ‘vo’ in the series ‘psal-li-tur per vo-ces is-tas’
[s.XV]
Bart. Ram. 1, 2, 1 p. 27: in hac igitur linea (sc. ⋅F⋅) ponitur ‚per‘ et in spatio super ipsa contento, quod est ⋅g⋅ ‚vo‘.
5 im System: A BˢC D EˢF G H IˢK L M (= trite synemmenon) N (= nete synemmenon)ˢO P Q in the system: A BˢC D EˢF G H IˢK L M (= trite synemmenon) N (= nete synemmenon)ˢO P Q
[s.XI]
Compil. Casin. 1, 24 descr.: ⋅G⋅ - corda yciche - /Bd. 2, Sp. 124/ simphonia varietas tetrardi - metrum lychanos meson. al.
6 im System: A BˢC D EˢF G HˢI K L (H-L = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.)ˢQ R S (für die lichanos meson) in the system: A BˢC D EˢF G HˢI K L (H-L = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.)ˢQ R S (for the lichanos meson)
[s.XI]
Ps.-Berno mon. 4, 2: ⋅G⋅ lichanos meson.
7 im System: A B CˢD E F GˢH I KˢL M N OˢP in the system: A B CˢD E F GˢH I KˢL M N OˢP
[s.XI]
Anon. Prag. 181: ⋅A⋅t⋅B⋅t⋅C⋅s⋅D⋅t⋅E⋅t⋅F⋅t⋅G⋅s⋅H⋅t⋅I⋅t⋅K⋅. al. cf. LmL I, 2 col. 116, 8.
8 im System: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p in the system: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p
[s.XII]
Theinr. Dov. tab. 3-2. Theinr. Dov. 3, 6, 14-15. al.
9 im System: aˢbˢˢc dˢeˢEˢfˢFˢg aˢbˢˢc d eˢf g a in the system: aˢbˢˢc dˢeˢEˢfˢFˢg aˢbˢˢc d eˢf g a
[s.XII]
Theinr. Dov. tab. 3-2. Theinr. Dov. 3, 6, 20.
10 im System: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) QˢR S in the system: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) QˢR S
[s.XIII-XIV]
Walt. Odingt. 3, 4, 26: Si ⋅O⋅ duplicetur, fit ⋅G⋅, et ⋅N⋅ dupla facit ⋅F⋅, et ⋅M⋅ facit ⋅E⋅, ac ⋅L⋅ ⋅D⋅ describit, et ⋅K⋅ ⋅C⋅. Walt. Odingt. 3, 4, 32 descr. Walt. Odingt. 5, 4, 45 descr. al.
11 im System: a bˢc d eˢf g hˢiˢ♮ˢk l mˢn o p (q) in the system: a bˢc d eˢf g hˢiˢ♮ˢk l mˢn o p (q)
[s.XV]
Bart. Ram. 1, 1, 2 p. 5 descr. Bart. Ram. 1, 2, 5 p. 36 descr. Bart. Ram. 2, 1, 1 p. 67: Sit tenor ⋅h⋅g⋅f⋅, organum ⋅k⋅♮⋅k⋅. al. Ioh. Hoth. exc. p. 21 descr. al.
[12 irrtümlich: in einem System Γ-G, A-G, A-D für die lichanos meson und die paranete diezeugmenon diatonos, wobei das Tetrachord der synemmenon (A-D) in die fortlaufende Reihe der Tonbuchstaben einbezogen wird erroneously: in a system Γ-G, A-G, A-D for the lichanos meson and the paranete diezeugmenon diatonos, through which the synemmenon tetrachord (A-D) is integrated into the progressing series of tonal letters]
[s.IX-XII]
Gloss. Boeth. mus. 1, 22, 138b: ⋅G⋅ Lichanos meson mediarum extenta ⋅A⋅ Mese media ⋅B⋅ Trite synemmenon tertia coniunctarum ⋅C⋅ Paranete synemmenon diatonos coniunctarum extenta ⋅D⋅ Nete synemmenon ultima coniunctarum ⋅E⋅ Paramese ... ⋅G⋅ Paranete diezeugmenon diatonos divisarum extenta (cf. Wien cpv 55 fol. 167v; v. Smits v. W., Musikerziehung p. 85).
[s.XV]
Tab. Catan. p. 142: ⋅G⋅solreut pera<ne>te diezeugmenon (ms.: Gesolreut perate diazegmenon; ed.: <Gsolreut peripate diezeugmenon>). al.
III Ausführungshinweis (für einen Kehllaut?) (littera significativa, ‚Romanusbuchstabe‘) direction for performance (indicating a guttural sound?) (littera significativa‚ ‘Romanian letter’)
[s.IX-X]
Notk. Balb. p. 69: G‚ ut in gutture gradatim garruletur, genuine gratulatur (inde Frut. brev. 14 p. 103. Anon. Wolf p. 205. Quaest. mus. 1, 23 p. 63. Compil. Lips. p. 132). Trad. Notk. p. 39: G moderare gradum. (?)
[s.XI-XII]
Anon. Wolf p. 205: in cantionum libris tam nocturnis quam diurnis inveniuntur notulae ex alphabeto neumis appositae, quae idipsum significent, verbi gratia a c g l m s t (sim. Compil. Lips. p. 132). cf. Smits v. W., Muziekgeschiedenis 2 p. 131 sqq.; Floros, Neumenkunde 2 p. 162 sq.
IV Kennbuchstabe für die vierte Psalmtondifferenz einer jeden Kirchentonart letter that identifies the fourth difference (differentia or ‘saeculorum Amen' formula for a psalm tone) in each mode /Bd. 2, Sp. 124/
[s.XI]
Frut. ton. p. 121. al. Ioh. Cott. mus. 11, 30: Primam autem cuiuslibet toni differentiam b indicat, secundam c, tertiam d, quartam g, et ita mutae per ordinem (inde Anon. Pannain p. 108).
[s.XIV]
Iac. Leod. spec. 6, 82, 6: Item pro prima differentia cuiuscumque toni B posuerunt; pro secunda C; pro tertia D; pro quarta G, et sic ulterius secundum ordinem mutarum.
V Schlüsselbuchstabe clef sign
[s.XIII]
Mus. man. 26, 9: Harum clavium tres tantum recipiendas arbitror, videlicet , c <et> g. al. Metrol. 43 p. 72: si sequatur in ipsa linea talis figura g, tunc deinceps non erit ⋅c⋅solfaut in ista linea praedicta, sed ⋅g⋅solreut. Trad. Garl. plan. V 78: aliquociens ... propter cantum ascendentem in superacutis vocibus istud signum g acutum figuramus. Anon. Couss. IV p. 60, 14: Sed in principio (sc. lineae) ponunt unum signum sicut c vel f vel g et in partibus bene ponunt d. Walt. Odingt. 5, 4, 49: Et ad quinque claves sunt principales usuales, scilicet duae graves, duae acutae, una superacuta. Graves scilicet D et F, acutae c et g, superacuta .
[s.XIV]
Quat. princ. 3, 12: ut una principalis monacordi litera in capite cantus prefiguretur, id est C vel F aut G. ibid. al.
[s.XV]
Ioh. Olom. 5 p. 15: Gregoriani enim et qui eos secuntur in libris suis ut plurimum tres notant literas (ms.; ed.: literis) pro clavibus, scilicet F grave, ... c acutum et g acutum. Ioh. Olom. 5 p. 17: Claves ex cunctis recipis paucas elementis. / Litera sit quaevis, quinque sub limite clavis. / ⋅C⋅ grave fit clavis, sic ⋅c⋅g⋅ fers (ms.; ed.: fero) in acutis / ⋅Γ⋅ gammaque depresse, superans ⋅dd⋅ (ms.; ed.: dictis) scribis in arce (ms.; ed.: Graece). Trad. Holl. I p. 169: Signatae (sc. claves) sunt, quae ad notificandum cantum in libris scribuntur, et harum quaedam (ms.; ed.: quae) communiter signantur, ut F grave et c acutum, quaedam (ms.; ed.: quae) vero, ut Γ Graecum fundamentale, rarius, et g superacutum, quaedam vero rarissime, ut d excellens, signatur (pro signantur?) (sim. Trad. Holl. II 64 p. 10 (p. 419b). Lad. Zalk. A 53. Szydlov. 2 p. 13). Trad. Holl. III 3 p. 25. al. Conr. Zab. tract. GG 11. al. Adam Fuld. 2, 4 descr. Mich. Keinsp. 3, 64. al.
VI Kennbuchstabe für die siebente Kirchentonart in der Reihe A B C D E F G H letter that identifies the seventh mode in the series A B C D E F G H
[s.XIV]
Heinr. Eger 5 p. 49: G laetans saltat, lascivus, dulcia cantat.
VII Kennbuchstabe für einen Gesang, der die französische Form der Mensurierung und Mensuralnotation verwendet letter that designates a chant that uses the French form of mensuration and mensural notation
[s.XIV]
March. pom. 43, 31: Ut enim sciatur, secundum quam divisionem temporis imperfecti debeamus cantare cantus mensuratos, Gallicum an Italicum sequentes modum, dicimus, quod in principio cuiuscunque cantus Gallici supra signum, quod apponitur temporis imperfecti, in ipsius principio ponatur G ad notandum sive ad innuendum, quod talis cantus Gallice proferatur. March. pom. 43, 34: in principio cantus Gallici dicta littera G apponatur, in principio vero cantus Italici Y Graecum ... similiter apponatur. March. comp. 9, 19.
[s.XV]
Fr. Gafur. extr. 12, 18, 29.
G fictum Bezeichnung für die Tonstufe Ges term for the note G-flat
[s.XV]
Ioh. Keck 3 p. 324a: Collige itaque sedecim tonos communiter usitatos. Potes etiam inusitatos repraesentare, ut inter ⋅Gfictum et ⋅G⋅ usitatum gravia potes accipere fleutam, ... quae cum ⋅E⋅ gravi facit tonum ... ⋅E⋅ enim et ⋅Gfictum gravia non faciunt tonum, sed solum duo semitonia minora, quae in commate deficiunt a tono; quod quidem comma habetur inter ⋅Gfictum grave et fleutam. saepius /Bd. 2, Sp. 126/
 
Artikelverweis 
gamma (Γ) (γάμμα) I. Tonbuchstabe II. Schlüsselbuchstabe I. letter that designates a note II. clef sign
I Tonbuchstabe letter that designates a note
1 im System: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf g  (    ) in the system: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf g  (    )
a generell general
[s.X-XI]
Ps.-Odo mus. p. 273a: Primus enim versus maioribus notatur litteris ... Secundus vero versus minoribus litteris et alia figura formatis ... describitur. Tertius vero versus, quia superfluus creditur, Graecarum potius litterarum forma notatur habens voces quinque ... Primus versus: ⋅Γ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅. Secundus versus: ⋅G⋅a⋅b⋅⋅c⋅d⋅e⋅f⋅g⋅. Tertius versus: ⋅g⋅⋅⋅⋅⋅Λ⋅ (formae litterarum secundum cod. Firenze BN Conv. Soppr. F.III.565). al. Ps.-Odo dial. p. 253b: Figurae autem et voces et litterae per ordinem ita ponuntur: ⋅Γ⋅ I ⋅A⋅ II ⋅B⋅ III ⋅C⋅ IIII ⋅D⋅ V ⋅E⋅ VI ⋅F⋅ VII ⋅G⋅ VIII ⋅a⋅ IX I ⋅b⋅ IX II ⋅⋅ X ⋅c⋅ XI ⋅d⋅ XII ⋅e⋅ XIII ⋅f⋅ XIIII ⋅g⋅ XV ⋅⋅. al. Berno prol. 6, 16 app. crit.: [Secundus modus ... remittitur ad ⋅A⋅, quae est proslambanomenos, interdumque adhuc tono inferius, quem moderni, ut supra dictum est, addiderunt et ⋅Γ⋅ Greca littera notaverunt]. Guido prol. 70 descr. (sim. Guido reg. 141, ex. 2). Guido micr. 2, 11. al. Guido reg. 12, ex. 1. al. Guido ep. p. 478, 181. al. Hermann. mus. p. 30 (p. 131b). al. Heinr. Aug. 108. Quadr. fig. 14. Willeh. Hirs. 20 (c. 19), 2: ⋅Γ⋅ et ⋅aa⋅, quae principalium tetrachordorum terminos excedunt. al. Aribo 33 p. 39. al. Comm. Guid. 46 p. 103. al. Lib. argum. 49 p. 23. al. Lib. spec. 28 p. 33. Anon. Lips. p. 157. al. Org. Mediol. rhythm. 13. al. Org. Berol. 29. al. Vers. Ars est 55. al. Vers. Quisquis velis 13: ⋅G⋅ reciprocat idipsum, quod de gamma diximus. al. Ps.-Guido arithm. p. 60. Frut. brev. 8 p. 59. al. Frut. ton. p. 128. Ps.-Osbern. 41. Quaest. mus. 1, 19 p. 46. al. Theog. Mett. 4, 1 (p. 184b). al. Ioh. Cott. mus. 21, 16: sub ⋅Γ⋅ nulla consistit nota. al.
[s.XII]
Trad. Guid. 2. Guido Aug. 296. al. Ton. Gratianop. p. 23. Ton. Parkm. p. 108. al. Anon. Cist. I 77 p. 33. al. Anon. La Fage I 1, 11: De gamma. Est autem ... adiuncta et in capite gravium posita littera, quae nec gravis nec acuta nec superacuta dicitur. al. Theinr. Dov. tab. 3-2. Ton. Nivern. f. 143r p. 122. Ton. Seligenst. p. 111. Ton. Vatic. 12, 2 p. 191. al.
[s.XIII]
Mus. man. 11, 4: Propterea vero ⋅Γ⋅ gamma ponitur magis quam alpha vel betha vel quaelibet alia, quatinus ⋅G⋅ Latino, quod loco ponitur octavo, congrue respond<eret>. Mus. man. 12, 4: Sed moderni cantuum multiplicitatibus consulentes, ut singuli tam graves quam lascivi, tam plagales quam auctenti, sufficienter intendi possent et remitti, praedictae duplici dyapason dyapente supposuerunt incipientes a ⋅Γ⋅ Graeco et terminantes in ⋅⋅ superacuta. al. Metrol. 32 p. 71: In ista figura prima ⋅Γ, id est gamma, et in istis duabus litteris ⋅G⋅solreut gravi et ⋅g⋅solreut acuta incipit cantus per ⋅⋅ quadratam. al. Ton. Franc. p. 149b. Amerus 22, 5. Elias Sal. 8 p. 25a. al. Lambertus p. 254b. al. Trad. Lamb. 2, 2a, 7. Hier. Mor. 14 p. 60, 21. al. Trad. Garl. plan. I 100. al. Trad. Garl. plan. II 135. Trad. Garl. plan. IV 49. Trad. Garl. plan. V 43. Ps.-Thomas Aqu. I 13. August. min. 163. al. Interv. Sit -O 17. al. Vers. Postquam pro 68. al. Ps.-Mur. summa 776. al. Engelb. Adm. 1, 9, 16 al. Walt. Odingt. 5, 3, 4 descr. al.
[s.XIV]
March. luc. 11, 4, 98. al. Tab. Basil. Iac. Leod. comp. 2, 4, 5. al. Iac. Leod. spec. 5, 11, 3: Incipit autem cantus per ⋅♮⋅ quadratum vel durum a clavibus litterae, quae est ⋅Γ⋅ Graeca vel ⋅G⋅ Latina, et terminatur inclusive ad proximam litteram, quae est ⋅E⋅. Iac. Leod. spec. 5, 16, 3-8. Iac. Leod. spec. 6, 61, 7. al. Hugo Spechtsh. comm. p. 132. al. Quat. princ. 3, 7: incipiatur ⋅Γ⋅ a summitate /Bd. 2, Sp. 127/ pollicis. ibid.: dicatur ⋅Γ⋅ in linea sive in regula, ⋅A⋅ gravis in spacio et sic alternatim de aliis. al. Anon. Michaelb. I p. 47. Anon. Michaelb. II p. 49. Willelm. 2, 10. al. Goscalc. 1, 4 p. 54, 6. al. Anon. Quaest. 7. al. Compil. Ticin. C 169. al. Anon. Grac. p. 18. Ps.-Mur. mod. p. 101b. Compil. Lips. p. 130. Anon. Monac. II 48.
[s.XV]
Orig. et eff. 3, 9. Ioh. Olom. 3 p. 9. al. Ioh. Cicon. mus. 1, 17 p. 78, 11. al. Prosd. mon. 3, 3. al. Iac. Theat. 1. al. Nicol. Cap. p. 313. al. Gob. Pers. p. 181b. al. Ioh. Floess 16. al. Anon. Claudifor. 1, 3, 4 (sim. Mut. Christo 31). al. Ugol. Urb. 1, 7, 6. al. Anon. Philad. 21: ⋅Γ⋅ Graecum non numeratur in ordinem litterarum, quia littera Graeca est et solum licentiative admititur a musicis propter nimium descensum secundi toni. al. Arn. Zwoll. add. p. 37. al. Thom. Bad. p. 85. Ioh. Keck 3 p. 324a. al. Anon. Carthus. theor. 16, 12: Habet ergo nunc ipsum monocordum, manus seu scala musicalis nostris temporibus 20 gradus musicales sub hiis litteris et figuris, sic: ⋅Γ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅a⋅b⋅♯⋅c⋅d⋅e⋅f⋅g⋅aa⋅bb⋅♯♯⋅cc⋅dd⋅. Anon. Carthus. theor. 16, 13: quia ipse dominus Guido dicit ⋅Γ⋅ Grecum a modernis ... adiunctum, aliquibus suspicio est, quod ipse illam Grecam litteram ⋅Γ⋅ ipsi monocordo addiderit ... eo, quod illa ⋅Γ⋅ suum nomen representat. al. Trad. Holl. I p. 162. al. Trad. Holl. II 35 p. 6 (p. 418a). al. Trad. Holl. III 1 p. 17: ⋅Γ⋅ ... (i. e. principium sc. artis musice). al. Ioh. Legr. rit. 2, 1, 2, 15. al. Trad. Holl. VI 8, 9. Conr. Zab. tract. BB 2. al. Clavic. Ad faciendam p. 229, 2. al. Ioh. Tinct. diff. 129: ⋅Γ⋅ est clavis ⋅Γ⋅ut (sim. Ioh. Tinct. exp. 3, 43). al. Fr. Gafur. extr. 4, 1, 11. al. Ioh. Tinct. exp. 6, 3: in manu nostra tria sint ⋅G⋅, videlicet ⋅Γ⋅, quod est ⋅G⋅ Latine, ⋅G⋅ de ⋅G⋅solreut gravi et ⋅G⋅ de ⋅G⋅solreut acuto. al. Fr. Gafur. op. 5, 6. al. Bart. Ram. 1, 1, 5 p. 15: Coruph appellat (sc. Rogerius Caperon) gamma. al. Nicol. Burt. 1, 14, 83. al. Bonav. Brix. 7, 2. al. Adam Fuld. 2, 4. al. Lad. Zalk. A 29. al. Fr. Gafur. theor. 5, 6: ⋅Γ⋅, quam Gamma dicunt, nos vero pro ⋅g⋅ littera consideramus. ibid. al. Guill. Pod. ench. 23 p. 384. Guill. Pod. 5, 12. al. Mich. Keinsp. 4, 12. al. Erasm. Hor. p. 91a. Compend. mus. 28. al. Anon. Couss. I p. 434 descr. Anon. La Fage III p. 242. Szydlov. 3 p. 16. al. Mon. A gamma p. 138, 1. Mon. Ab F p. 182, 2. al. Mon. Cum primum 1. al. Mon. Divide gamma p. 141, 1. Mon. Esto linea p. 144, 1. al. Mon. Figure p. 174, 3. al. Mon. Gamma novem p. 109. Mon. In mon. mensura p. 134, 22. Mon. In primis ad levam p. 172, 9. al. Mon. Mon. disparat. 1. Mon. Mon. regulare p. 179, 12. al. Mon. Partire gamma p. 140, 1. al. Mon. Qui desideras p. 91. Mon. Quia dictum p. 244, 3. al. Mon. Si quem p. 245, 5. al. Mon. Si vis facere p. 173, 8. al.
b auf die Stellung im System bezogen with reference to the position within the system
[s.X-XI]
Ps.-Odo mus. p. 272a: in monochordo ante primam unam vocem ponendam (esse) censuimus, quam propter rarum usum et praedictam rationem non primam, sed magis adiunctam vocamus. Neque eam per primam litteram designamus, sed per Graecum gamma ⋅Γ⋅. ibid. al. Guido micr. 2, 3: In primis ponitur ⋅Γ⋅ Graecum a modernis adiunctum. Sequuntur septem alphabeti litterae graves ideoque maioribus litteris insignitae hoc modo: ⋅A⋅B⋅C⋅D⋅E⋅F⋅G⋅ (inde Metrol. 25 p. 69. Iac. Leod. spec. 6, 72, 17. Conr. Zab. tract. CC 2. ad loc.: Anon. Carthus. theor. 16, 3). al. Guido reg. 19: Gamma Graecum quidam ponunt ante primam litteram. Guido ep. p. 480, 178: ⋅Γ⋅ Grecum ... pone in capite (sc. monochordi). Willeh. Hirs. 21 (c. 20), 18: Moderni ... in principio sonum ⋅Γ⋅ ... adiecerunt. Comm. Guid. 43 p. 103. Lib. argum. 35 p. 22. Vers. Ars est 5: Gamma, in primis posita.
[s.XI-XII]
Quaest. mus. 2, 24 p. 90. Ioh. Cott. mus. 5, 4.
[s.XIII]
Mus. man. 4, 18: Gamma Graecum non computatur /Bd. 2, Sp. 128/ inter graves, quia gravissima potius esset dicendi quam gravis, cum sit omnium litterarum fundamentum. Amerus 15, 2: ⋅Γ⋅ Grecum g et est vox prima, ⋅a⋅ secunda, ⋅b⋅ tercia eqs. al. Lambertus p. 254a. al. Trad. Lamb. 1, 2, 2. al. Hier. Mor. 10 p. 46, 6. al. Trad. Garl. plan. V 229: ad gamaut primam. Anon. Ratisb. 2, 1: manus ..., in qua primo ponitur ⋅G⋅ Graecum, quod gamma vocatur. Vers. Postquam pro 70. al. Engelb. Adm. 3, 2, 4: prima semper posita est ⋅Γ⋅. al.
[s.XIV]
March. luc. 9, 1, 70. al. March. pom. 43, 32. Iac. Leod. spec. 2, 14, 32: prima et gravissima clave, quae est gammaut (sim. Iac. Leod. spec. 2, 126, 11). al. Hugo Spechtsh. comm. p. 30 al. Quat. princ. 2, 6. al. Summ. Guid. comm. 2, 44: ⋅Γ⋅ in loco infimo. Heinr. Eger 2 p. 36. Anon. Erford. p. 161: a modernis additum est ⋅Γ⋅ in principio.
[s.XV]
Prosd. mon. 3, 2: prima litera manus musicalis, que est ⋅G⋅ Grecum, quod gama comuniter appellatur et sic figuratur: ⋅Γ⋅. Iac. Theat. 1. Nicol. Cap. p. 314: ⋅Γ⋅, qui est in principio manus, non est littera Latina, sed Graeca. al. Anon. Claudifor. 1, 3, 4 (sim. Mut. Christo 31). Ugol. Urb. 1, 7, 3: omnium primam ... gammaΓ⋅ ... In qua nostrae musicae omnis sumit ordo principium (inde Fr. Gafur. extr. 4, 1, 2). al. Anon. Philad. 18. Anon. Carthus. pract. 5, 5. Trad. Holl. II 40 p. 6 (p. 418a). Trad. Holl. III 1 p. 18. Ioh. Legr. rit. 2, 2, 2, 11. al. Trad. Holl. VI 8, 1. al. Conr. Zab. tract. AB 3. Ioh. Tinct. diff. 133. Fr. Gafur. extr. 4, 11, 3. al. Ioh. Tinct. exp. 3, 9: ⋅Γ⋅, quae nomine et forma eo, quod Graeca sit, a caeteris differt, diciturque clavis gravissima quasi gravissimo loco appropriata. al. Fr. Gafur. op. 5, 6. al. Bonav. Brix. 8, 14. al. Adam Fuld. 2, 9. Lad. Zalk. A 22. al. Guill. Pod. ench. 24 p. 384: Prima igitur omnium chordarum musice discipline atque gravissima ... est gamaut. Guill. Pod. 5, 10: ⋅Γ⋅ prima vox aut primum nomen vel syllaba. al. Fr. Gafur. pract. 1, 4. al. Compend. mus. 19. Anon. La Fage III p. 242. Szydlov. 2 p. 12. al.
c auf das griechische System bezogen with reference to the Greek system
[s.XIII]
Anon. Ratisb. 2, 6: Gamma ut, proslambanomenos, ypateypaton, peripateypaton, licanosypaton eqs. Engelb. Adm. 1, 11, 3: De interpretacionibus Grecorum nominum vocum musicarum. ... ⋅Γ⋅ut apud ipsum (sc. Boecium) vocatur prosmelodos, i. e. ad melodiam adiecta ... ⋅A⋅re, i. e. proslambanomenos eqs.
[s.XV]
Anon. Carthus. pract. 16, 41 descr.: ypopanthos gamma. Tab. Catan. p. 146: Gamaut ypapanchos. Fr. Gafur. extr. 7, 15, 7. al. Bart. Ram. 1, 1, 6 p. 16. al. Adam Fuld. 2, 9: ⋅Γ⋅ hyponomenon. ibid. al. Mich. Keinsp. 3, 25.
d auf das Oktavsystem bezogen with reference to the octave system: ⋅Γgrave, ⋅Γsubgravis, ⋅Γgravissimum
[s.XI-XII]
Ps.-Osbern. 21: si circa inferiores graves, scilicet ⋅Γ⋅A⋅B⋅, vel si circa superiores acutas, scilicet ⋅d⋅e⋅f⋅, morarentur voces. Theog. Mett. 12, 4 (p. 487b) (inde Ps.-Guido corr. p. 52b). Trad. Guid. 1: inter graves ⋅Γ⋅ Graecum scribitur.
[s.XIII]
Amerus 22, 5. al. Trad. Lamb. 2, 2a, 2. Hier. Mor. 13 p. 56, 5: a ⋅Γ⋅ gravium in ⋅G⋅ acutarum, a ⋅G⋅ acutarum in ⋅g⋅ superacutarum. al. Trad. Garl. plan. V 52 descr. August. min. 60. al. Interv. Sit -O 4. Vers. Postquam pro 285. Ps.-Mur. summa 805. al. Walt. Odingt. 5, 1, 15. al.
[s.XIV]
Iac. Leod. comp. 2, 4, 17. al. Iac. Leod. spec. 6, 61, 11. al. Hugo Spechtsh. 66. Quat. princ. 3, 10. Willelm. 2, 8. Goscalc. 1, 4 p. 52, 18. Compil. Lips. p. 130. Anon. Monac. II 44.
[s.XV]
Ioh. Olom. 3 p. 8. Anon. Philad. 9 descr. Trad. Holl. I p. 164. Trad. Holl. II 49 p. 8 (p. 418b). Trad. Holl. III 3 p. 25 descr. al. Fr. Gafur. extr. 4, 7, 3. al. Bart. Ram. 1, 1, 3 p. 9: Tinctoris ... primum (sc. ⋅G⋅), scilicet ⋅Γ⋅, dicit gravissimum; /Bd. 2, Sp. 129/ secundum est grave, tertium acutum (cf. Ioh. Tinct. exp. 2, 31 descr.). Lad. Zalk. A 51. Compend. mus. 19: Subgravis una est ..., quam quidam ... gamma dicunt. Szydlov. 2 p. 13. Mon. Figure p. 174, 3.
e auf das Tetrachordsystem bezogen with reference to the tetrachord system: ⋅Γgravis, ⋅Γsubgravis, ⋅Γgravissimum
[s.XI]
Comm. Guid. 71 p. 138: Hae enim quattuor (sc. finales) sub se habent tetrachordum, id est quattuor chordas gravium a gamma in ⋅C⋅; non enim accipit hic tetrachordum, ut in monochordo disponitur in gravibus ab ⋅A⋅ in ⋅D⋅, sed a ⋅Γ⋅ in ⋅C⋅. Ioh. Cott. mus. 5, 16: a ⋅Γ⋅ usque ad ⋅C⋅ propter soni gravitatem graves dicuntur, a ⋅D⋅ usque ad ⋅G⋅ eo, quod omnium in eis modorum cantus finiatur, finales appellantur, ab ⋅a⋅ minuto usque ad ⋅d⋅ acutae vocantur propter acutum, quem reddunt, sonum, a ⋅d⋅ usque ad ⋅g⋅ superacutae dicuntur, quia acutas vocis acumine superant. Item ab ⋅⋅ usque ⋅⋅ excellentes nominantur eo, quod etiam superacutas soni gracilitate excellant.
[s.XIII]
Amerus 23, 6: tetracordum gravium ⋅Γ⋅a⋅b⋅c⋅; tetracordum finalium ⋅d⋅e⋅f⋅g⋅; tetracordum superiorum ⋅a⋅b⋅c⋅d⋅; tetracordum excellentium ⋅e⋅f⋅g⋅a⋅. Hier. Mor. 13 p. 56, 29. al.
[s.XIV]
Hugo Spechtsh. 66. Summ. Guid. comm. 43 (inde Gob. Pers. p. 182a. Anon. Carthus. nat. 7, 87. Trad. Holl. III 3 p. 25).
[s.XV]
Ioh. Cicon. mus. 2, 51 p. 328, 18: Est autem et sextum tetracordum iam inferius ordinatum, quod nominatur subgravium, his characteribus figuratum: ⋅Δ⋅E⋅⋅Γ⋅. Iac. Theat. 1: a ⋅Γ⋅ usque ad ⋅D⋅ (sc. exclusive?) computa gravissimas / et a ⋅D⋅ ad ⋅a⋅ acutum (sc. exclusive?) graves volo teneas, / ab eadem ⋅a⋅ acutas nominabis licteras / usque venies ad ⋅d⋅, tunc dic acutissimas. Anon. Claudifor. 1, 5, 3: Prima ergo ordinatio vocum, quae incipitur in ⋅Γ⋅ gravi et terminatur in ⋅e⋅ finali, vocatur primus cantus ♮ duralis (sim. Mut. Christo 63). al. Anon. Philad. 9 descr. Trad. Holl. II 56 p. 9 (p. 419a): primae quattuor claves, scilicet G Grecum ⋅Γ⋅<⋅A⋅B⋅C⋅> (ms.; ed.: ⋅G⋅ grave cum ⋅Γ⋅), dicuntur graves. Man. Guid. p. 149 (p. 466) descr. Trad. Holl. III 3 p. 26. descr. al. Conr. Zab. tract. p. 240-241 descr.: graves: ⋅Γ⋅A⋅B⋅C⋅; finales: ⋅D⋅E⋅F⋅G⋅; acutae (hic incipiunt organistae geminare litteras): ⋅a⋅b⋅⋅c⋅d⋅; superacutae: ⋅⋅⋅⋅⋅; excellentes: ⋅⋅⋅<⋅⋅⋅>⋅e⋅. al. Adam Fuld. 2, 4 descr. Lad. Zalk. A 52. Mich. Keinsp. 3, 29 descr. Szydlov. 2 p. 14.
f auf das Solmisationssystem bezogen with reference to the system of solmisation: ⋅Γut
[s.XI]
Lib. argum. 9 p. 19: ⋅Γ⋅ut re mi fa sol la.
[s.XII]
Trad. Guid. 1 descr. (additio posterior?). Mut. Γma ut 1.
[s.XIII]
Anon. Lovan. p. 498a. Disc. Quicumque II 1, 6. Metrol. 31 p. 70. Ioh. Aegid. 5, 2. al. Amerus 5, 21. al. Elias Sal. 7 p. 22 descr. al. Lambertus p. 254b. al. Trad. Lamb. 2, 4, 3: Et quia in Gamma ut nec in ⋅A⋅re nec in ⋅B⋅mi <nec in ⋅ee⋅>la non est nisi unica vox, ideo non est ibi mutatio (sim. Trad. Garl. plan. I 153. Trad. Garl. plan. II 68. Trad. Garl. plan. III 145. Trad. Garl. plan. IV 78). Hier. Mor. 12 p. 51, 1: ⋅D⋅solre habet duas voces, sol et re, sol per ♮ durum ad usum gammaut, re per naturam ad usum ⋅C⋅faut. al. Trad. Garl. plan. I 167. Trad. Garl. plan. III 136 descr. Trad. Garl. plan. V 43. al. August. min. 165. Ton. Sar. p. 11. al. Ioh. Groch. 85. al. Ps.-Mur. summa 708. al. Engelb. Adm. 1, 12, 5. al.
[s.XIV]
Guido Dion. 1, 2, 24. al. Trad. Phil. I f. 61vG, 18. Iac. Leod. inton. 1, 50. al. Iac. Leod. spec. 6, 63, 3: cum ⋅Γ⋅ prima vox iungitur, quae est ut et dicitur gammaut. al. Hugo Spechtsh. 24. al. Quat. princ. 3, 9. Summ. Guid. 90: Gamma ut ergo nova scalae fuit addita corda (sim. Gob. Pers. p. 181b). Goscalc. 1, 1 p. 34, 8. al. Heinr. Eger 2 p. 36. al. Compil. Ticin. A 38 (sim. Trad. Holl. VI 15, 3). /Bd. 2, Sp. 130/ al. Anon. Ellsworth 4 p. 224, 16. Cart. plan. 5. al. Anon. Erford. p. 161. Compil. Lips. p. 130. Mut. Ad noticiam 33 (sim. Lad. Zalk. A 50). al. Anon. Seay p. 22. Anon. Monac. II 3. al.
[s.XV]
Ioh. Olom. 2 p. 7: ⋅Γ⋅ut situatur in summitate policis in linea. al. Iac. Theat. 5. Nicol. Cap. p. 315. al. Gob. Pers. p. 182a. al. Ioh. Floess 1. al. Anon. Claudifor. 1, 1, 5. al. Ugol. Urb. 1, 8, 2. Phil. Cas. contr. 35 descr. Tact. Octo princ. 4. Anon. Carthus. pract. 5, 13. al. Trad. Holl. I p. 165. al. Trad. Holl. II 4 p. 62 (p. 437b): aliquis cantus secundi toni incipitur in ⋅G⋅ gravi, id est in gammaut . al. Vers. Primus habet 26 p. 160 (p. 471a). Trad. Holl. III 1 p. 17. al. Mut. Christo 95. al. Trad. Holl. VI 33, 11. al. Conr. Zab. tract. YY 8. al. Ioh. Tinct. diff. 131: ⋅Γ⋅ut est linea, cuius clavis est ⋅Γ⋅, et in qua unica vox, scilicet ut, per  durum ex loco proprio canitur (sim. Ioh. Tinct. exp. 6, 17). al. Tab. Catan. p. 146. Fr. Gafur. extr. 4, 2, 2. al. Compos. Cum igitur 3, 18. Ioh. Tinct. nat. 19, 9. al. Ioh. Tinct. contr. 1, 17, 5. al. Ioh. Tinct. exp. 2, 30: istorum viginti locorum unicus est gravissimus, scilicet ⋅Γ⋅ut. al. Fr. Gafur. op. 5, 6. Bart. Ram. 1, 1, 4 p. 11. al. Nicol. Burt. 1, 18, 98. Guil. mon. 5 p. 31. Diff. mus. 44. Bonav. Brix. 26, 10. al. Adam Fuld. 2, 5. al. Lad. Zalk. A 26. al. Fr. Gafur. theor. 5, 6. Guill. Pod. ench. 20 p. 381. al. Guill. Pod. 5, 13. al. Fr. Gafur. pract. 1, 4. al. Mich. Keinsp. 3, 29 descr. al. Erasm. Hor. p. 83b. al. Anon. La Fage III p. 243. Szydlov. 2 p. 15. al. Contr. In presenti 35. al. Contr. Sex s. spec. I p. 306b. Mon. Ab F p. 182, 10. Mon. Compendiosam p. 181, 7. al. Mon. Dividitur p. 178, 7. Mon. Fac lineam p. 183, 4: In primo puncto post ⋅f⋅ pone gamut. al. Mon. Longitudinem p. 150, 31. Mon. Medietas p. 143, 7. Fist. Formata prima 1 p. 135: dividatur totum gammaut per longitudinem in novem partes, quarum prima erit ⋅A⋅ grave, tertia ⋅D⋅ grave, quinta ⋅a⋅ acutum, sexta ⋅d⋅ acutum, septima ⋅a⋅ superacutum. al.
g mit chromatischen Systemerweiterungen with additional chromatic divisions
[s.XIII]
Interv. Sit -O 4: crux <inter> ⋅Γ⋅A⋅ magna vel gravia. al.
[s.XV]
Ioh. Keck 3 p. 324a: inter ⋅Γ⋅ et ⋅A⋅ grave ... reperies ⋅A⋅ fictum grave, quod cum ⋅Γ⋅ facit semitonium minus, quod repraesentatur ⋅Γ⋅ et ⋅A⋅ gravi per ⋅B⋅ rotundum. Fist. Formata prima 11 p. 136: falsa, quae est super gammaut.
[2 irrtümlich: in einem System Γ-G, A-G, A-D, wobei das Tetrachord der synemmenon (A-D) in die fortlaufende Reihe der Tonbuchstaben einbezogen wird erroneously: in a system Γ-G, A-G, A-D, through which the synemmenon tetrachord (A-D) is integrated into the progressing series of tonal letters]
[s.IX-XII]
Gloss. Boeth. mus. 1, 22, 138b: Diatonici: ⋅Γ⋅ ⋅A⋅ Proslambanomenos Latine aquisitus ... ⋅G⋅ Lichanos meson diatonos mediarum extenta ⋅A⋅ Mese media ⋅B⋅ Trite synemmenon tertia coniunctarum ⋅C⋅ Paranete synemmenon diatonos coniunctarum extenta eqs. (cf. Wien cpv 55 fol. 167v; v. Smits v. W., Musikerziehung p. 85).
3 im System: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p in the system: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p
[s.XII]
Theinr. Dov. tab. 3-2.
4 im System: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) QˢR S in the system: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) QˢR S
[s.XIII-XIV]
Walt. Odingt. 3, 4, 32 descr. Walt. Odingt. 5, 4, 45 descr. al.
5 im System: Γ A BˢC D EˢF G H (ˢZˢ) IˢK L MˢN O P (QˢR S T) in the system: Γ A BˢC D EˢF G H (ˢZˢ) IˢK L MˢN O P (QˢR S T) /Bd. 2, Sp. 131/
[s.XV]
Adam Fuld. 2, 9 descr. Cymb. Omne instr. 3, 2: simbalum, <que> (pro quod) per Γ designatur. al.
II Schlüsselbuchstabe clef sign
[s.XIII]
Mus. man. 26, 18: quatuor regulae cum quinque spatiis suis sufficere valeant ad lineam pernotandam, sola clavis , si suppremae lineae praefigatur, in infima regula Γ tibi litteram primam, sub qua non est alia, praesentabit (cum exemplo). al.
[s.XV]
Ioh. Olom. 5 p. 15: Cum autem in cantibus aliquorum tonorum plagalium plena fit depressio, tunc pro promptiori cognitione notatur Γ grave. Ioh. Olom. 5 p. 17: Claves ex cunctis recipis paucas elementis. / Litera sit quaevis, quinque sub limite clavis. / ⋅C⋅ grave fit clavis, sic ⋅c⋅g⋅ fers (ms.; ed.: fero) in acutis / ⋅Γ⋅ gammaque depresse, superans ⋅dd⋅ (ms.; ed.: dictis) scribis in arce (ms.; ed.: Graece). Trad. Holl. I p. 169: Signatae (sc. claves) sunt, quae ad notificandum cantum in libris scribuntur, et harum quaedam (ms.; ed.: quae) communiter signantur, ut F grave et c acutum, quaedam (ms.; ed.: quae) vero, ut Γ Graecum fundamentale, rarius, et g superacutum, quaedam vero rarissime, ut d excellens, signatur (pro signantur?) (sim. Trad. Holl. II 62 p. 10 (p.419a). Trad. Holl. II 64 p. 10 (p. 419b). Lad. Zalk. A 53. Szydlov. 2 p. 13). Trad. Holl. III 3 p. 25. al. Mich. Keinsp. 3, 63. al.
 
Artikelverweis 
gamma -ae f. et -atis n. (γάμμα) 1. Bezeichnung für das Tonsystem 2. Bezeichnung für einen Teilbereich des Tonsystems 1. term that designates the tonal system 2. term that designates a segment within the tonal system
1 Bezeichnung für das Tonsystem term that designates the tonal system
[s.XI]
Comm. Guid. 47 p. 120: syllabae ut, re, mi, fa, sol, la, quae in gamma sunt dispositae secundum ordinem tonorum vel semitoniorum.
[s.XII]
Theinr. Dov. 3, 22d, 6: Consideremus nunc quidem illi cantus, quos gamma Guydonis non recipit. al.
[s.XIII]
Mus. man. 1, 7: de musica manuali, videlicet de gamma, quae levae manus traditur articulis. Metrol. 23-24 p. 69. Amerus 2, 1: si queritur, quare ista Greca littera ⋅Γ⋅ preponatur in gamma, respondeo: quia Greci fuerant primi inventores huius artis. Amerus 2, 7: quot sunt radices in gamma et per quid canitur? Respondeo: septem sunt radices in gamma, tres super ⋅G⋅ per ♮ quadratum, due super ⋅C⋅ per proprium cantum, due super ⋅F⋅ per b molle. Amerus 2, 15: viginti tres littere et totidem voces ... possunt dici in gamma. al. Lambertus p. 256b: nihil aliud est gamma quam compositio signorum monocordi cum vocibus (inde Trad. Garl. I 136. Trad. Garl. III 140. Trad. Garl. IV 59. Quat. princ. 3, 9). Trad. Lamb. 1, 2, 2. al. Anon. Emmeram. 4 p. 266, 8. Trad. Garl. plan. I 130. al. Trad. Garl. plan. III 37. al. August. min. L 104: Expliciunt gamme mutationes, que fuerint <ab> aliqua proprietate in aliam. Ton. Sar. p. 2.
[s.XIV]
Guido Dion. 1, 1, 206. al. Iac. Leod. cons. 58. Iac. Leod. comp. 1, 5, 14. al. Iac. Leod. spec. 2, 34, 13: Solo genere diatonico principaliter nunc utimur in gammate. Iac. Leod. spec. 2, 94, 13: Pentatonus in gammate locum nullum habet, nisi per falsas mutationes. Iac. Leod. spec. 4, 10, 1: In nostro monochordo sive in gammatis compositione, quaedam consonantiarum magis proprie, quaedam minus continentur. Iac. Leod. spec. 6, 63, 12: Gamma est conveniens ordinataque vocum cum monochordi litteris vel signis et inter se coniunctio. Iac. Leod. spec. 6, 63, 23: a prima clave, quae est gammaut vocetur gammatis constitutio, dispositio vel ordinatio, sed etiam dicitur manus vel palma. al. Petr. Palm. p. 513: Falsa musica est, quae non potest inveniri in gamma manus secundum artem plani cantus ab initio sibi imposita. al. Quat. princ. 2, 3: Guido monachus, qui compositor erat gammatis (sim. Quat. princ. /Bd. 2, Sp. 132/ 3, 4. Orig. et eff. 5 (L), 7). al. Ps.-Theodon. pr. p. 31. Anon. Quaest. 31. al. Compil. Ticin. A 24 (sim. Trad. Holl. VI 14, 1).
[s.XV]
Orig. et eff. 24, 1. al. Thom. Bad. p. 84. al. Trad. Holl. II 44 p. 22 (p. 424a). Trad. Holl. III 1 p. 19. Trad. Holl. VI 15, 9. Ioh. Tinct. exp. 1, 11-12. Compend. mus. 20. Anon. La Fage III p. 243. Contr. Circa modum p. 28, 36. Contr. Quoniam hom. pr. 9.
2 Bezeichnung für einen Teilbereich des Tonsystems term that designates a segment within the tonal system
[s.XII]
Theinr. Dov. 3, 21, 5: ultimum feci educens ab illis eos ordines pentachordorum et tetrachordorum, quos gammas vocamus.
[s.XIV]
Aegid. Mur. p. 128b: Est autem alius modus componendi motetos quam superius dictum est, videlicet, quod tenor vadat supra motetum et sic ordinabis: accipe tenorem de antiphonario, sicut superius dictum est, quem colorabis et ordinabis, et stat in gamma bassa; et tu potes eum mittere in gamma alta; et quando est ordinatus bene, tunc facias discantum sub tenore, sicut melius scis et potes.
[s.XV]
Bart. Ram. 2, 1, 2 p. 72: qui contrapunctare procurat, hexachordum non exeat cantu plano supra vel subter psallente, quod dicunt ipsi gamma. Bart. Ram. 2, 1, 2 p. 73: et sic septem gammata faciunt iuxta septem hexachorda. Bart. Ram. 2, 1, 2 p. 73: si facillime volumus et alia gammata sine magno labore componere. al.
 
Artikelverweis 
gammaticus -a, -um das Tonsystem betreffend with reference to the tonal system
[s.XIII]
Lambertus p. 256b: et in hoc fit compositio gammatica. Unde nihil aliud est gamma quam compositio signorum monocordi cum vocibus.
adv.

 

G
 I Markierungspunkt in Mensuren letter that designates a specific point in measurements
 1 im System: AˢB C DˢE F G HˢI K LˢM N O (für die mese) - in the system: AˢB C DˢE F G HˢI K LˢM N O (for the mese)
 2 im System: A B CˢD E F GˢH I KˢL M N OˢP (Z) in the system: A B CˢD E F GˢH I KˢL M N OˢP (Z)
 3 im System:A BˢC D E FˢG H I KˢL M N OˢP Q R S in the system: A BˢC D E FˢG H I KˢL M N OˢP Q R S
 4 im System: A BˢC D EˢF G/(Z,SM)ˢIˢK L MˢN O P (für die lichanos meson) in the system: A BˢC D EˢF G/(Z,SM)ˢIˢK L MˢN O P (for the lichanos meson)
 5 im System A - LL (GG für die paranete hyperboleon enarmonios) in the system A - LL (GG for the paranete hyperboleon enarmonios) (cf. Boeth. mus. 4, 11 p. 334 descr.)
 6 im System: AˢB C DˢE F Gˢh (= trite synemmenon) ˢH (= paramese) ˢK L MˢN X O (für die mese) in the system: AˢB C DˢE F Gˢh (= trite synemmenon) ˢH (= paramese) ˢK L MˢN X O (for the mese)
 7 im System: A B CˢD E FˢSˢG (A H) in the system: A B CˢD E FˢSˢG (A H)
 8 im System: A ˢC D EˢF G (primi - sexti ordinis) (für ein in Mikrointervallen versetztes Tonsystem) in the system: A ˢC D EˢF G (primi - sexti ordinis) (for a tonal system transposed according to microtones)
 II Tonbuchstabe letter that designates a note
 1 im System: AˢG F E DˢC B A GˢF E D CˢB A (aufsteigend) in the system: AˢG F E DˢC B A GˢF E D CˢB A (ascending)
 2 im System: A BˢC D EˢF G H (ˢQ = trite synemmenon) I (= paramese) ˢK L MˢN O P (für die lichanos meson) in the system: A BˢC D EˢF G H (ˢQ = trite synemmenon) I (= paramese) ˢK L MˢN
 3 im System: F (g) (= B rotundum)ˢGˢA B CˢD E FˢG (H) (= trite synemmenon)ˢG (= paramese)ˢA B CˢD E F (für hypate hypaton, trite synemmenon und paramese) in the system: F (g) (= B rotundum)ˢGˢA B CˢD E FˢG (H) (= trite
 4 im System: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf g ( ) in the system: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf
 a generell general
 b auf die Stellung im System bezogen with reference to the position within the system
 c auf das griechische System bezogen (für lichanos meson und paranete hyperboleon) with reference to the Greek system (for the lichanos meson and the paranete hyperboleon)
 d auf das Oktavsystem bezogen with reference to the octave system: G⋅ subgravis, ⋅G⋅ primum (=Γ) - ⋅G⋅ gravis (-e), ⋅G⋅ inferior (-ius), ⋅G⋅ bassum, ⋅G⋅ acuta (-
 e auf die Funktion im Tonartensystem bezogen with reference to function within the system of modes: ⋅G⋅ finalis, mediatrix ⋅G⋅
 f auf das Tetrachordsystem bezogen with reference to the tetrachord system: ⋅G⋅ finalis, ⋅g⋅ acuta, ⋅g⋅ superacuta (-um), ⋅g⋅ excellens
 g auf das Solmisationssystem bezogen with reference to the system of solmisation: ⋅G⋅solreut - ⋅g⋅solreut
 h auf die Schreibweise bezogen with reference to the case of letters or their repetition: ⋅G⋅ Graecum, ⋅G⋅ Latinum - ⋅G⋅ magnum (maius), ⋅G⋅ grossum, ⋅G⋅ capitale - ⋅g⋅ parvum (-a, minus), ⋅g⋅ minutum (-a), ⋅g⋅
 i im Skalenausschnitt (H) C - (c - ) (auch chromatisch erweitert) in Mensuren (vor allem von Tasteninstrumenten und Glocken) within the segment of scale (H) C - (c - ) (sometimes
 j mit chromatischen Systemerweiterungen with additional chromatic divisions
 k mit der Merksilbe ‚vo‘ in der Reihe ‚psal-li-tur per vo-ces is-tas‘ designated with the syllable ‘vo’ in the series ‘psal-li-tur per vo-ces is-tas’
 5 im System: A BˢC D EˢF G H IˢK L M (= trite synemmenon) N (= nete synemmenon)ˢO P Q in the system: A BˢC D EˢF G H IˢK L M (= trite synemmenon) N (= nete synemmenon)ˢO P Q
 6 im System: A BˢC D EˢF G HˢI K L (H-L = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.)ˢQ R S (für die lichanos meson) in the system: A BˢC D EˢF G HˢI K L (H
 7 im System: A B CˢD E F GˢH I KˢL M N OˢP in the system: A B CˢD E F GˢH I KˢL M N OˢP
 8 im System: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p in the system: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p
 9 im System: aˢbˢˢc dˢeˢEˢfˢFˢg aˢbˢˢc d eˢf g a in the system: aˢbˢˢc dˢeˢEˢfˢFˢg aˢbˢˢc d eˢf g a
 10 im System: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) QˢR S in the system: Γ A BˢC D EˢF G H IˢK L (I-M
 11 im System: a bˢc d eˢf g hˢiˢ♮ˢk l mˢn o p (q) in the system: a bˢc d eˢf g hˢiˢ♮ˢk l mˢn o p (q)
 [12 irrtümlich: in einem System Γ-G, A-G, A-D für die lichanos meson und die paranete diezeugmenon diatonos, wobei das Tetrachord der synemmenon (A-D) in die fortlaufende Reihe der Tonbuchstaben einbezogen wird erroneously: in a system
 III Ausführungshinweis (für einen Kehllaut?) (littera significativa, ‚Romanusbuchstabe‘) direction for performance (indicating a guttural sound?) (littera significativa‚ ‘Romanian letter’)
 IV Kennbuchstabe für die vierte Psalmtondifferenz einer jeden Kirchentonart letter that identifies the fourth difference (differentia or ‘saeculorum Amen' formula for a psalm tone) in each mode
 V Schlüsselbuchstabe clef sign
 VI Kennbuchstabe für die siebente Kirchentonart in der Reihe A B C D E F G H letter that identifies the seventh mode in the series A B C D E F G H
 VII Kennbuchstabe für einen Gesang, der die französische Form der Mensurierung und Mensuralnotation verwendet letter that designates a chant that uses the French form of mensuration and mensural notation
 
gamma
 I Tonbuchstabe letter that designates a note
 1 im System: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf g ( ) in the system: (FF) Γ A BˢC D EˢF G aˢbˢˢc d eˢf
 a generell general
 b auf die Stellung im System bezogen with reference to the position within the system
 c auf das griechische System bezogen with reference to the Greek system
 d auf das Oktavsystem bezogen with reference to the octave system:Γ grave,Γ subgravis,Γ gravissimum
 e auf das Tetrachordsystem bezogen with reference to the tetrachord system:Γ gravis,Γ subgravis,Γ gravissimum
 f auf das Solmisationssystem bezogen with reference to the system of solmisation:Γut
 g mit chromatischen Systemerweiterungen with additional chromatic divisions
 [2 irrtümlich: in einem System Γ-G, A-G, A-D, wobei das Tetrachord der synemmenon (A-D) in die fortlaufende Reihe der Tonbuchstaben einbezogen wird erroneously: in a system Γ-G, A-G, A-D,
 3 im System: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p in the system: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p
 4 im System: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) QˢR S in the system: Γ A BˢC D EˢF G H IˢK L (I-M
 5 im System: Γ A BˢC D EˢF G H (ˢZˢ) IˢK L MˢN O P (QˢR S T) in the system: Γ A BˢC D EˢF G H (ˢZˢ) IˢK L MˢN O P (QˢR S T)
 II Schlüsselbuchstabe clef sign
 
gamma
 1 Bezeichnung für das Tonsystem term that designates the tonal system
 2 Bezeichnung für einen Teilbereich des Tonsystems term that designates a segment within the tonal system